For my foundation portfolio work in my first year I created a crime film opening. I decided to base my film opening around the crime genre as this would provide me with opportunity to look into various different narratives. Finally I decided to base the narrative around a violent assault which one young adult male character aims at another.
Propp's theory on narrative structure can be applied to my film opening to some extent, as it is possible to classify the main character into a clearly defined role and function based on general stereotypes of young adults within the media. This young adults actions and physical appearance within the film opening clearly make him come across as what society would deem to be a yob, as he is wearing a baggy tracksuit, trainers, and stabs another male within the film opening. However when looking at the other male which gets stabbed and his physical appearance it could be argued that he challenges Propp's theory, as he is dressed in smart trousers, a shirt and smart shoes, this does not conform to stereotypes of a yob, and therefore makes it hard for the audience to classify this character into a defined role as he is dressed as what would be considered smart, whilst attempting to murder the main character.
In the moment when the villain male pulls out a knife and runs up behind the main character, Bathes narrative theory of action codes can be applied as the audience is wondering what is going to happen to the main character, and what the resolution of the situation will be as suspense is created by the action in this brief moment. An enigma code is also created during this scene as the audience is left wondering why the character who is now the villain tired to stab the main character, this presents a puzzle to the audience in a way as they will be left confused and wanting to know the answer to this question.
I differed between two methods of time within my narrative structure. At the start of the footage when the main character can be seen running this is meant to represent what is happening in the present time. The other method of time which I applied to my structure is a flash back which starts from when the main character is walking towards the underpass and then gets attacked. The audience will then gather why the main character was running at the start of the footage once they see the flash back scene as they will see that the main character stabbed his attacker and then fled the area of the crime.
Levi-Strauss's theory of binary opposites can be applied to the narrative of my coursework production to some extent, through the opposition of strong and weak. The attacker in the footage could be seen to be weak as he fails his attack despite the fact that he is armed with a knife and sneaks up behind the target of his attempted murder, contrastingly the main character who reverses the attack is depicted as strong as he is able to disarm and fight off the man who tried to attack him when his guard was down. However Strauss's theory is challenged by the action which takes place between the two males in the underpass, as their is no clear distinction between good and evil when looking at the characters as both the males clearly had intuitions on harming the other once the fight had started.
My coursework production follows Propp's, Bathes and Strauss's theories of narrative along basic guide lines to give my production a sense of realism and continuous production. However some parts of the production challenge certain narrative aspects of theory within these media theorists ideologies.
Propp's theory on narrative structure can be applied to my film opening to some extent, as it is possible to classify the main character into a clearly defined role and function based on general stereotypes of young adults within the media. This young adults actions and physical appearance within the film opening clearly make him come across as what society would deem to be a yob, as he is wearing a baggy tracksuit, trainers, and stabs another male within the film opening. However when looking at the other male which gets stabbed and his physical appearance it could be argued that he challenges Propp's theory, as he is dressed in smart trousers, a shirt and smart shoes, this does not conform to stereotypes of a yob, and therefore makes it hard for the audience to classify this character into a defined role as he is dressed as what would be considered smart, whilst attempting to murder the main character.
In the moment when the villain male pulls out a knife and runs up behind the main character, Bathes narrative theory of action codes can be applied as the audience is wondering what is going to happen to the main character, and what the resolution of the situation will be as suspense is created by the action in this brief moment. An enigma code is also created during this scene as the audience is left wondering why the character who is now the villain tired to stab the main character, this presents a puzzle to the audience in a way as they will be left confused and wanting to know the answer to this question.
I differed between two methods of time within my narrative structure. At the start of the footage when the main character can be seen running this is meant to represent what is happening in the present time. The other method of time which I applied to my structure is a flash back which starts from when the main character is walking towards the underpass and then gets attacked. The audience will then gather why the main character was running at the start of the footage once they see the flash back scene as they will see that the main character stabbed his attacker and then fled the area of the crime.
Levi-Strauss's theory of binary opposites can be applied to the narrative of my coursework production to some extent, through the opposition of strong and weak. The attacker in the footage could be seen to be weak as he fails his attack despite the fact that he is armed with a knife and sneaks up behind the target of his attempted murder, contrastingly the main character who reverses the attack is depicted as strong as he is able to disarm and fight off the man who tried to attack him when his guard was down. However Strauss's theory is challenged by the action which takes place between the two males in the underpass, as their is no clear distinction between good and evil when looking at the characters as both the males clearly had intuitions on harming the other once the fight had started.
My coursework production follows Propp's, Bathes and Strauss's theories of narrative along basic guide lines to give my production a sense of realism and continuous production. However some parts of the production challenge certain narrative aspects of theory within these media theorists ideologies.